In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.

In a near future, a lonely writer develops an unlikely relationship with an operating system designed to meet his every need.

A game designer on the run from assassins must play her latest virtual reality creation with a marketing trainee to determine if the game has been damaged.

A secret military project endangers Neo-Tokyo when it turns a biker gang member into a rampaging psychic psychopath who can only be stopped by two teenagers and a group of psychics.

When a disease turns all of humanity into the living dead, the last man on earth becomes a reluctant vampire hunter.

In 1997, when the U.S. president crashes into Manhattan, now a giant maximum security prison, a convicted bank robber is sent in to rescue him.

A triptych examines the nature of one unforgettable city as it's shaped by the disparate people who live, work (and even run amok) inside one enormous, constantly evolving, densely populated megalopolis, the ravishing and inimitable Tokyo.

Set ten years after the most peaceful revolution in United States history, it presents a dystopia in which the issues of many groups - minorities, liberals, gay rights organizations, feminists - are dealt with by the government.

A terrifying rendering of Paris where post-nuclear scientists hunt for the past by searching through the dreams of a human guinea pig.

Plagued by a series of apocalyptic visions, a young husband and father questions whether to shelter his family from a coming storm, or from himself.

The Prince of Salina, a noble aristocrat of impeccable integrity, tries to preserve his family and class amid the tumultuous social upheavals of 1860's Sicily.

With smoldering sensuality and biting humor, the surprising relationship between the three title subjects is revealed in sex, lies, and videotape, the most-talked about erotic comedy of the decade. James Spader(TV's "Boston Legal") ran away with the Best Actor prize at the Cannes Film Festival for his brilliantly understated and seductive performance as Graham, a long-lost college friend who drifts back into town and into the lives of John, a self-involved philanderer, his angelic wife Ann, and her saucy sister Cynthia. One by one, each is drawn into the very"personal project" Graham is working on, leaving the relationships between them forever transformed.

A hotel owner and landlord in a remote Turkish village deals with conflicts within his family and a tenant behind on his rent.

Des femmes de toute la France se retrouvent à Hendaye pour montrer leur solidarité aux femmes espagnoles contre le fascisme. Cette manifestation ne doit pas être silencieuse, on entend beaucoup de chants.
Après la manifestation, les femmes discutent entre elles : qu'est ce qu'une manifestation de femmes/féministe ? Quels slogans doit-on entendre ?
À la fin du film, des femmes témoignent sur la condition féminine en Espagne et dans les luttes politiques.

En juin 1975, les prostituées lyonnaises occupent l’église de Saint-Nizier. Elles parlent de leur histoire personnelle, de leurs rapports avec la société, de leurs conditions de travail et de leurs revendications.

Bernard Pivot invited Françoise Giroud, then Secretary of State for Women, on his popular TV show. A collective of women parody the misogynistic statements from the show in a provocative way.

Document sur l’état de la pratique de l’avortement en France dans les années 1970. Réalisé en 1973, alors que l’avortement n’est ni autorisé ni légal en France, le film donne le ton dès la première image du générique avec son titre « Y’a qu’à pas baiser ». Débute le journal télévisé INF2 qui consacre un dossier à l’avortement intitulé « L’avortement libre : pour ou contre ? », dossier dont le premier intervenant est le professeur Jérôme Lejeune qui stigmatise le marché commun de l’avortement et les avorteurs en blanc.

Attention : une scène du film représentant un avortement clandestin pourrait heurter la sensibilité des plus jeunes.

Else, pour sauver son père qui croule sous les dettes, doit choisir d’accepter ou non de se mettre nue devant le vieux Dorsday, en échange d’une somme d’argent. Sous la pression, la jeune fille choisit un geste encore plus radical.

Note : Ce court-métrage est une libre adaptation du roman d’Arthur Schnitzler écrit en 1924, reprenant sa trame initiale mais sous une forme éclatée.

En Israël, où le mariage entre Juifs est scellé devant un tribunal rabbinique, seul le consentement des deux époux peut permettre à la séparation d'être prononcée. Viviane Amsalem demande le divorce depuis trois ans. Son mari refuse, prétextant qu’il l’aime encore.

Note : Le Procès de Viviane Amsalem est réalisé à la suite de Prendre femme (2004) et Les sept jours (2008), pour clôturer la trilogie réalisée par Ronit et Shlomi Elkabetz, autour de la condition des femmes en Israël.

Bernard Pivot invited Françoise Giroud, then Secretary of State for Women, on his popular TV show. A collective of women parody the misogynistic statements from the show in a provocative way.

Germany 1939. Hans and Lene marry the day before the war breaks out, and Hans is sent to the Eastern front. During a bombing raid their daughter Anna is born. The house is destroyed and Lene and Anna moves in with relatives in Berlin. Hans survives the war but he is not the same person as in 1939, and he and Lene find it difficult to live together again.

Three women, a journalist, her French friend and a pop singer, deal with life, career, desire, sex and personal fantasies.

A spectator, a string puppet, applauds the magic tricks of the Butterfly Woman, another string puppet with whom he is in love. Under the force of his applause, the strings that hold him in his place as a spectator give way. Thus free, he runs to the Butterfly Woman in the hope of conquering her and freeing her from her fate.

Zohra, 50 years old, is Algerian. She is employed in the household of a young couple. For the first time in her life, she goes to the beach.

Berlin, 1974. Grischa and Heinrich are actors, accidentally locked in the rehearsal hall one night. He tries to seduce her; she's puts him off. Later she dumps her husband and sleeps with Heinrich, who ups the ante by suggesting they have a child. She takes him seriously by initiating a journalistic project interviewing working mothers, asking how they balance work and family, delving into their sexual histories. Heinrich sulks when she spends evenings on the project, he's childish. Should she leave him? The story plays out against the backdrop of left-wing political agitation.

On her birthday, Juliette is too sad to be worried about the strange cleaning lady who imitates her every move and lusts after her clothing.

Paul's life story leads to a sign.

One Sunday, Marguerite, a young pregnant woman from Rouen, and Mario, a Spanish sailor in transit, meet while waiting for a train.

Lucie is thirtyish, shy and introverted. During a party at friends', she meets Bertrand with whom she falls in love immediately. Longing for true love, she focuses all her desires and expectations on him.

Nijinsky, the God of Dance, has been insane for 20 years. His wife, Romola, with the help of Serge Lifar, tries to bring him back to life.

Ce programme réunit 11 courts métrages réalisés par Alice Guy : La Fée aux choux, Comment monsieur prend son bain, Le Matelas épileptique, Les Résultats du féminisme, Madame a des envies, Une femme collante, Le Bonnet à poil, Une héroîne de 4 ans, La Naissance, la vie et la mort du Christ, Sur les barricades et Alice Guy tourne une photoscène.

Edda est photographe de presse en RFA, et mère célibataire. Elle peine à concilier vie professionnelle et personnelle, alors qu'une occasion se présente à elle. Avec ses collègues, Edda prépare une exposition de photos sur Berlin. Le jeune mère devra se démener pour obtenir des financements et lutter contre les attitudes élitistes du monde de l'art.

Erika and Franziska haven't seen each other for 4 years. 10 years earlier they both felt that they had the same chances in life: both were young, attractive and imaginative. They overlooked what would, right from the outset, separate them: their very different emotional make-up, their different character.

Angela and Robert have been married for 10 years and are still very much in love with each other. They give each other complete freedom and form a perfect couple. Their happiness is not disrupted when Robert brings his young friend Claudia home for the weekend.

Des femmes de toute la France se retrouvent à Hendaye pour montrer leur solidarité aux femmes espagnoles contre le fascisme. Cette manifestation ne doit pas être silencieuse, on entend beaucoup de chants.
Après la manifestation, les femmes discutent entre elles : qu'est ce qu'une manifestation de femmes/féministe ? Quels slogans doit-on entendre ?
À la fin du film, des femmes témoignent sur la condition féminine en Espagne et dans les luttes politiques.

En juin 1975, les prostituées lyonnaises occupent l’église de Saint-Nizier. Elles parlent de leur histoire personnelle, de leurs rapports avec la société, de leurs conditions de travail et de leurs revendications.

Document sur l’état de la pratique de l’avortement en France dans les années 1970. Réalisé en 1973, alors que l’avortement n’est ni autorisé ni légal en France, le film donne le ton dès la première image du générique avec son titre « Y’a qu’à pas baiser ». Débute le journal télévisé INF2 qui consacre un dossier à l’avortement intitulé « L’avortement libre : pour ou contre ? », dossier dont le premier intervenant est le professeur Jérôme Lejeune qui stigmatise le marché commun de l’avortement et les avorteurs en blanc.

Attention : une scène du film représentant un avortement clandestin pourrait heurter la sensibilité des plus jeunes.

Oldrich "Fajolo" Fajták, a student who directs quasi-existentialist verbal abuse at his girlfriend Bela Blazejová, takes off to a formally volunteer summer work camp at a farm where he meets her grandfather.

The documentarist film depicts how a young weaver girl is trying to find herself and what identity-problems she has. Szőnyi Erzsi, textile-worker, grew up in Fót, the town for neglected children. She puts an advertisement in the papers, trying to find her parents and unexpectedly gets a reply. She visits her mother in Várkút, who is scared of her beautiful and too natural daughter and continues to hide their relationship from her husband. Erzsi, lonesome and depressed by her failure lets things happen to her. She starts a passing affair with the boy she met on the train. She listens to a depraved man who tells her about his dead parents and comforts him. Then, in a club, where the Illés Band is playing she does not resist Gábor's defiant glances, either.

Kourou, a young villager, decides to conquer Kinshasa, the capital. But it is easier said than done. In the big city, Kourou finds nothing but odd jobs and throws his life away with prostitutes. One day he is even fired for stealing. The situation seems hopeless but the worm turns the moment when, after entering a bar, Kourou takes a mike in his hands and starts singing.

Heinrich George plays Henner who lives with his wife and child on a tugboat, going on the river to Berlin. There he meets the attractive Gescha (Betty Amann), and a story of love, betrayal and sadness ensues.

Three women, a journalist, her French friend and a pop singer, deal with life, career, desire, sex and personal fantasies.

Edda est photographe de presse en RFA, et mère célibataire. Elle peine à concilier vie professionnelle et personnelle, alors qu'une occasion se présente à elle. Avec ses collègues, Edda prépare une exposition de photos sur Berlin. Le jeune mère devra se démener pour obtenir des financements et lutter contre les attitudes élitistes du monde de l'art.

Seventeen-year-old Jóska is captured by the Soviet in the last days of World War II. He is posted to a soldier lad to help him guard the cowherd. Jóska tries to escape, Kolja keeps him from entering the mined area using his gun. Despite their opposed position and language barrier a friendly relationship is formed between them. They feast on the meat of the exploded cow together and chase girls when Kolja suddenly dies of a former injury. Jóska tries to get to the station dressed in his uniform. Some of the former POWs recognize him and thinking that he was a collaborate they beat him up thoroughly.

The film is a tension-filled parable about the power of order, cruelty and submissive behaviour. A young man arrives at a falconers' plant for summer exercise. The plant stands in the middle of barren land, secluded from everything and managed by the fanatic Lilik, keeping rigorous discipline. Besides him and the falconers only Teréz lives there. The Boy learns the tasks at the plant and is captivated by the elementary force and beauty of the flight of the falcons. Yet he is more and more abhorred by the spiritual terror and the barbaric order used by Lilik to subdue his men. He endures the man-probing hunt but releases the captured falcon in the end. Teréz and the Boy are attracted to each other but she is unable to break out. After a mighty, devastating storm, the Boy packs his belongings and leaves. The others stay.

Berlin, 1974. Grischa and Heinrich are actors, accidentally locked in the rehearsal hall one night. He tries to seduce her; she's puts him off. Later she dumps her husband and sleeps with Heinrich, who ups the ante by suggesting they have a child. She takes him seriously by initiating a journalistic project interviewing working mothers, asking how they balance work and family, delving into their sexual histories. Heinrich sulks when she spends evenings on the project, he's childish. Should she leave him? The story plays out against the backdrop of left-wing political agitation.

Erika and Franziska haven't seen each other for 4 years. 10 years earlier they both felt that they had the same chances in life: both were young, attractive and imaginative. They overlooked what would, right from the outset, separate them: their very different emotional make-up, their different character.

Angela and Robert have been married for 10 years and are still very much in love with each other. They give each other complete freedom and form a perfect couple. Their happiness is not disrupted when Robert brings his young friend Claudia home for the weekend.

A French-like burlesque about the adventures of a young boy in the first grade of elementary school. He gets acquainted with time, then, accompanied by his father, leaves home to spend his first day at school. On the way there, he meets Zizi, and they become friends. Mischief interests him more than learning to write, but he is not alone by this inclination. His imagination colours reality around him. He is cured from a major disease, makes adventures in social life, learns to know the adult world. He imagines his uncle, whom he does not love and whom he continuously escapes, to be set in prison. A baby is born in the family, and it is much bigger happiness than his excellent marks, only Zizi needs to be comforted because she failed in a subject. But there is no problem because he makes a promise to marry her. When he grows up.

Germany 1939. Hans and Lene marry the day before the war breaks out, and Hans is sent to the Eastern front. During a bombing raid their daughter Anna is born. The house is destroyed and Lene and Anna moves in with relatives in Berlin. Hans survives the war but he is not the same person as in 1939, and he and Lene find it difficult to live together again.

Fictional re-enactments about the early years in Belgium of the director's parents, Jewish immigrants from Poland, and scenes taken in modern Brussels in this elliptical experimental feature.

In this satire on Art under Socialism, a minor musician who plays the humble triangle becomes a tyrannical orchestra director.

Three adolescent war orphans seclude themselves in an anarchic and playful existence of denial and juvenile joy.

Two ex-soldiers search for stability and love when they return home after World War One.

"Our profession is photography" - sings and advertises Sebő, the herald of a group of travelling photographers, knocking at the doors of village houses. The photographer takes the photos as they have been ordered, the retoucher manages the business, and if people want a rosier picture than the harsh reality of their own faces is he is ready to retouch the photos. And most people choose this option: the photographer is vainly trying to persuade them to choose the true and more telling pictures. Yet, a rich material of the past gets revealed from behind the scenes of the locals' lives: while the retoucher is working on the pictures, the photographer is digging deep in the thirty-odd years old life stories and which "can as well be framed and put on the wall". An old lady, Mrs. Nyerges recalls the tragedy of her husband's murdered daughters, too. The picture taken of the murderous mother turns up as well.

When he gets separated from his unit, Laforet (Roger Van Hool) becomes a de facto deserter during 1939 fighting in the French provinces. Most of the story concerns his love affair with a local farmgirl, as he competes for her affection with a refugee from Spain. When he presses her to make a decision between them, the choice doesn't go in his favor. Soon after this he joins up with the Resistance movement.

This is a ballad about love, hate, and a search for a way out of loneliness. It is a dramatic story about the strange potter, Martin Lepis, nicknamed Dragon, who is suspected by the villagers as the cause of natural disasters. He loses his beloved, his home, and his freedom due to false accusations. After years he returns to his native village. Putting his own life to risk, he saves a herd of cattle from a forest fire in the hills. But not even this heroic deed helps him to win back the friendship of the locals.

In the midst of the Russian Revolution of 1905, the crew of the battleship Potemkin mutiny against the brutal, tyrannical regime of the vessel's officers. The resulting street demonstration in Odessa brings on a police massacre.

Anna est serveuse dans un dancing parisien qu'elle quitte pour travailler dans un hôpital caritatif. Au fil des ans, elle se hisse à la tête de l'institution, mais lorsqu'un vieil habitué du dancing reconnaît sa photo, il tente de la faire chanter. La Tare est exemplaire des intentions de Louis Feuillade envers la ligne, tant esthétique que morale, de sa collection de films classés sous l’enseigne de « la Vie telle qu’elle est », équivalent cinématographique des romans de Zola et de Goncourt.

A young inventor is kidnapped to force him to tell the secret of his invention, but he foils his captors thanks to a pen with invisible ink.

A wife obsesses over the fact that a fortune teller revealed husband's voyage to America is doomed, he is booked to sail on the Titanic.

Since 1695 the people of Brussels know that their 'Manneken Pis' is an easy target for thieves and jokers. Machin uses this premise and makes his panther steal the statue.

A manuscript is mysteriously delivered to a playhouse where it is eventually turned into a major hit with critics calling it a masterpiece. The only problem is that no one knows who wrote it. The actress of the play receives a call from the author and the two quickly becomes friends but the man won't give any details about himself because he has a secret.

Touristic film in which two children discover Brussels's leading monuments and sights.

Ce programme réunit 11 courts métrages réalisés par Alice Guy : La Fée aux choux, Comment monsieur prend son bain, Le Matelas épileptique, Les Résultats du féminisme, Madame a des envies, Une femme collante, Le Bonnet à poil, Une héroîne de 4 ans, La Naissance, la vie et la mort du Christ, Sur les barricades et Alice Guy tourne une photoscène.

A group of oppressed factory workers go on strike in pre-revolutionary Russia.

As she works in her tedious office job, Maria Ivanovna dreams about being married, and she has particular hopes that her co-worker Nikodim Mityushin will take an interest in her. Nikodim, though, is in love with Zina, who sells cigarettes on the sidewalk, and he frequently buys cigarettes from her even though he does not smoke. One day, a film crew uses Zina as an extra in an outdoor scene, and the cameraman, Latugin, falls in love with her. Latugin soon arranges an acting job for Zina. To complicate matters further, Zina has yet another admirer in Oliver MacBride, an American businessman who is visiting Moscow.