Ted Kramer's wife leaves him, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.

Camille, a divorced actress, looks after her two children every other weekend. One day, she takes the road with them to try to establish a more intimate relationship with them. Learning that a meteor shower will be visible from Spain, she decides to take them to see it.

Parents do not know, but on Wednesday, it is the only day when children live by their own. We can see a little girl and her father purchasing and loosing themselves, children escaping. And adults that are searching and discovering each others.

After withdrawing to the Chateau Marmont, a passionless Hollywood actor reexamines his life when his eleven-year-old daughter surprises him with a visit.

Victor Valance, an absent father who likes to gamble, returns home in order to take money from his family and gamble with it. His daughter is suspicious of her father's activities and messes up his plans. When she realizes however, that gangsters are trying to rob her father, her attitude changes.

Victor Berthier, a good man but also a very jealous one, killed his wife in a fit of jealousy. After serving a few years in a chain gang, he is released for good behavior. He feels very happy to be able to return to Paris and to meet Lise, his daughter, again. But, to his dismay, he finds that Lise, through the fault of André, her lover and pimp, has unwillingly committed a murder.

A talented young boy becomes torn between his unexpected love of dance and the disintegration of his family.

The Little Tramp unwillingly takes in an abandoned baby. He quickly softens up to the boy and after a few years, they make their living together as a team. One day, the child falls ill and social services try to take him away.

 A troubled and neurotic Italian Countess betrays her entire country for a self-destructive love affair with an Austrian Lieutenant.

Having recently been uprooted to Milan, Rocco and his four brothers each look for a new way in life when a prostitute comes between Rocco and his brother Simone.

Inspired by Boccaccio's novellas, each episode focuses on sex, love and seduction in Italy in the 1960s, an era of economic growth and major cultural changes.

The Prince of Salina, a noble aristocrat of impeccable integrity, tries to preserve his family and class amid the tumultuous social upheavals of 1860's Sicily.

Historical evocation of Ludwig, king of Bavaria, from his crowning in 1864 until his death in 1886, as a romantic hero. Fan of Richard Wagner, betrayed by him, in love with his cousin Elisabeth of Austria, abandoned by her, tormented by his homosexuality, he will little by little slip towards madness.

A reclusive, retired professor is faced with confronting modernity when a group of vulgar youths, led by an obnoxious marchesa, take up residence in his unused upper residence.

Tullio Hermil is a chauvinist aristocrat who flaunts his mistress to his wife, but when he believes she has been unfaithful he becomes enamored of her again.

Two cyclists share a moment of accidental happiness, orchestrated by a Cupid who’s still a bit inexperienced.

With Juliet in Paris, Claude Miller makes an excellent debut: a vampire story told with great visual flair and subtle humor. (Marcel Martin. Cinéma 68). 

How do you manage to exist when you're fifteen, can barely see, still take photos, and the one you manage to secretly touch, but who still slips away, is named Marie-Luce?

A few days before returning to Morocco, Ali, a retired man, spends his final moments between the shelter where he lives and the apartment of his friend Momo, who lives with his daughter.

Michel, a farmer in Franche-Comté, takes advantage of the quiet winter season to spend time with his apprentice Francis. A strong friendship will grow between them.

BEI Sui-Mi becomes the new tutor for the WANG family in a bid to secretly investigate the death of Mrs. WANG, her sister. She makes an effort to mend the father-daughter relationship between her niece and Mr. WANG, caring about the girl like a mother.

A young couple, Bun-tik and Kui-ki, are in love but their parents are determined to control their destinies. When the couple try to meet, Bun-tik's widowed father A-kau intervenes, but Kui-ki begs him and he agrees to a marriage. However, when he realizes Kui-ki's mother is the woman who abandoned him years before, he refuses the marriage. Bun-tik and Kui-ki elope together, but life alone proves cruel and they begin to miss their homes.

Tshui-giok's step-father sells her to a club to pay off his debt. Her boyfriend, Kok-liong, attempts to release her and plans to marry her but his mother disapproves and arranges for him to marry a wealthy girl, Hun-kiau. Years later, Tshui-giok and Kok-liong meet again; their feelings rekindled. However, Tshui-giok rejects Kok-liong for the sake of Hun-kuai. The decision drives him mad and eventually Hun-kuai sets Kok-liong free to be with Tshui-giok. A key film, at the pinnacle of Taiwanese-language family melodrama.

Tsi-Bing is living a wealthy and successful life. However, when he is manipulated by his mistress into believing that his wife is having an affair, he throws her out. When his mistress vanishes with all his money, Tsi-Bing is forced to relocate to a makeshift home with his three children, who are forced to take on various jobs, such as selling rice dumplings, to make ends meet. Will this unfortunate family be reunited one day?

Khue-Guan, a deliveryman living in a cheap apartment, dreams of making it big one day. He happens upon a teenage runaway, Tsing-Bi, and entices her to work in a nightclub to make money for him. Meanwhile, the nightclub hostess, Giok-Sian, pays for Khue-Guan’s company but keeps a no strings attached relationship. When Tsing-Bi becomes pregnant with Khue-Guan’s child, she asks him to marry her but is coldly rejected. Khue-Guan proposes to Giok-Sian only to be sneered at. In the choice between love and money, Khue-Guan must decide what he truly wants.

Camille, a divorced actress, looks after her two children every other weekend. One day, she takes the road with them to try to establish a more intimate relationship with them. Learning that a meteor shower will be visible from Spain, she decides to take them to see it.

Else, pour sauver son père qui croule sous les dettes, doit choisir d’accepter ou non de se mettre nue devant le vieux Dorsday, en échange d’une somme d’argent. Sous la pression, la jeune fille choisit un geste encore plus radical.

Note : Ce court-métrage est une libre adaptation du roman d’Arthur Schnitzler écrit en 1924, reprenant sa trame initiale mais sous une forme éclatée.

Two teenage girls, both named Marie, decide that since the world is spoiled they will be spoiled as well; accordingly they embark on a series of destructive pranks in which they consume and destroy the world about them. This freewheeling, madcap feminist farce was immediately banned by the government.

Ce programme réunit 11 courts métrages réalisés par Alice Guy : La Fée aux choux, Comment monsieur prend son bain, Le Matelas épileptique, Les Résultats du féminisme, Madame a des envies, Une femme collante, Le Bonnet à poil, Une héroîne de 4 ans, La Naissance, la vie et la mort du Christ, Sur les barricades et Alice Guy tourne une photoscène.

There are three children growing at Tammaru farm – one boy, Margus; and two orphan girls, Mari and Tiina. Tiina is lively and full of energy. Margus holds her very dear to him. Margus’s parents want him to marry Mari instead as she is more their kind. Hotblooded Tiina is completely different from them, and her mother was once executed for being a witch. Mari thinks that Tiina has bewitched Margus and cannot stand this, so she starts to publicly blame her stepsister for being a werewolf.

Anna, the daughter of an elderly owner of Kõrboja farm, is told by her father that if she won’t move into their home farm then it will be sold to strangers. But the farm also needs a master, and Anna has been living in town for years. She comes back home and meets again Villu, her friend from childhood. Villu is still as temperamental as he used to be, and Anna has always been a stubborn one. Now they have grown up. The more fellow villagers find the couple a strange one, the more they are attracted to each other.

16-year-old Mari, raised without a mother by a drunkard father, is put in an orphanage which she immediately, though unsuccessfully, tries to flee from. The sensitive Mari finds it hard to adapt to the coarse manners and brutal games amongst the children. Only gradually does she develop a sense for the similarly difficult fates of her fellow sufferers, who have long forgotten how to cry. She even falls in love for the first time, not with her self-appointed “protector” Tauri, but with the rough-mannered Robi. “Smile at Last” takes a critical realist approach to raising attention to the responsibility over the fate of vulnerable children and adolescents.

Recently freed from prison in Russia, Valentina heads back to Estonia on a quest to find her son Jüri, who she had given up for adoption years ago. With the conviction that their reunion will be a happy ending, Valentina searches high and low until she finds her son in Tartu, adopted by a wealthy family. Reconciliation turned out to be more challenging than she had expected.

After withdrawing to the Chateau Marmont, a passionless Hollywood actor reexamines his life when his eleven-year-old daughter surprises him with a visit.

The mystical love story between Chonen, a poor Talmud student, and Lea, a girl from a wealthy family, depicts the traditional folk culture of Polish Jews before WW2.

Antinea. the Queen of Atlantis, rules her secret kingdom hidden beneath the Sahara Desert. One day two lost explorers stumble into her kingdom, and soon realize that they haven't really been saved, Antinea has a habit of taking men as lovers, then when she's done with them, she kills them and keeps them mummified.

Faithfully reproduced observations of Breton fisherfolk in story of the man a local woman really loves who will not at first give himself to her because of his fondness for the sea that takes him away.

The adventures of a sailor (Lennard) from Mexico to a lagoon in the Pacific ocean, and the meeting with a lonely girl (Lilian White).

The captain of a barge takes his new bride along the canal routes. But, falling for a younger crew man, she tries to escape.

Im Glanze dieses Glückes tells the story of the fall of the Berlin Wall on November 9, 1989. Through images and testimonies from citizens of East Germany, the film shows the hopes, fears, and doubts of a country at the moment of its reunification.

There are three children growing at Tammaru farm – one boy, Margus; and two orphan girls, Mari and Tiina. Tiina is lively and full of energy. Margus holds her very dear to him. Margus’s parents want him to marry Mari instead as she is more their kind. Hotblooded Tiina is completely different from them, and her mother was once executed for being a witch. Mari thinks that Tiina has bewitched Margus and cannot stand this, so she starts to publicly blame her stepsister for being a werewolf.

Anna, the daughter of an elderly owner of Kõrboja farm, is told by her father that if she won’t move into their home farm then it will be sold to strangers. But the farm also needs a master, and Anna has been living in town for years. She comes back home and meets again Villu, her friend from childhood. Villu is still as temperamental as he used to be, and Anna has always been a stubborn one. Now they have grown up. The more fellow villagers find the couple a strange one, the more they are attracted to each other.

16-year-old Mari, raised without a mother by a drunkard father, is put in an orphanage which she immediately, though unsuccessfully, tries to flee from. The sensitive Mari finds it hard to adapt to the coarse manners and brutal games amongst the children. Only gradually does she develop a sense for the similarly difficult fates of her fellow sufferers, who have long forgotten how to cry. She even falls in love for the first time, not with her self-appointed “protector” Tauri, but with the rough-mannered Robi. “Smile at Last” takes a critical realist approach to raising attention to the responsibility over the fate of vulnerable children and adolescents.

Recently freed from prison in Russia, Valentina heads back to Estonia on a quest to find her son Jüri, who she had given up for adoption years ago. With the conviction that their reunion will be a happy ending, Valentina searches high and low until she finds her son in Tartu, adopted by a wealthy family. Reconciliation turned out to be more challenging than she had expected.

The story of the feature debut of director Stanislav Barabáš is set in the Slovak mountains during the times of the Slovak National Uprising in WW II. Its child characters give an impressive picture of the evil and the meaninglessness of war. The innocence of childhood meets the destructive forces of war, which leave their cruel mark on children´s dreams, desires, and careless games. This film replaces heroic acts from the battlefields with life further away from the frontlines.

A dramatic story from the end of WW II and a remarkable contemplation of the value of true friendship, meaning and purpose of life or the possibility to be human even in inhumane conditions. In a frosty mountain setting a cruel struggle for life takes place. After a fight, two partisans return to their brigade carrying along a young German soldier as a captive. But suddenly, amidst the hopelessness of barren mountains, all protagonists find themselves in a liminal existential situation. 

A few days before returning to Morocco, Ali, a retired man, spends his final moments between the shelter where he lives and the apartment of his friend Momo, who lives with his daughter.

Two cyclists share a moment of accidental happiness, orchestrated by a Cupid who’s still a bit inexperienced.

How do you manage to exist when you're fifteen, can barely see, still take photos, and the one you manage to secretly touch, but who still slips away, is named Marie-Luce?

Michel, a farmer in Franche-Comté, takes advantage of the quiet winter season to spend time with his apprentice Francis. A strong friendship will grow between them.

With Juliet in Paris, Claude Miller makes an excellent debut: a vampire story told with great visual flair and subtle humor. (Marcel Martin. Cinéma 68).