A highway engineer is involved in a car crash, after which, near death, he remembers his life leading up to the accident.

During the events of May 1968 in France, different worldviews of conflicting relatives are collide in their family estate.

The story of the feature debut of director Stanislav Barabáš is set in the Slovak mountains during the times of the Slovak National Uprising in WW II. Its child characters give an impressive picture of the evil and the meaninglessness of war. The innocence of childhood meets the destructive forces of war, which leave their cruel mark on children´s dreams, desires, and careless games. This film replaces heroic acts from the battlefields with life further away from the frontlines.

A dramatic story from the end of WW II and a remarkable contemplation of the value of true friendship, meaning and purpose of life or the possibility to be human even in inhumane conditions. In a frosty mountain setting a cruel struggle for life takes place. After a fight, two partisans return to their brigade carrying along a young German soldier as a captive. But suddenly, amidst the hopelessness of barren mountains, all protagonists find themselves in a liminal existential situation. 

BEI Sui-Mi becomes the new tutor for the WANG family in a bid to secretly investigate the death of Mrs. WANG, her sister. She makes an effort to mend the father-daughter relationship between her niece and Mr. WANG, caring about the girl like a mother.

A young couple, Bun-tik and Kui-ki, are in love but their parents are determined to control their destinies. When the couple try to meet, Bun-tik's widowed father A-kau intervenes, but Kui-ki begs him and he agrees to a marriage. However, when he realizes Kui-ki's mother is the woman who abandoned him years before, he refuses the marriage. Bun-tik and Kui-ki elope together, but life alone proves cruel and they begin to miss their homes.

Tshui-giok's step-father sells her to a club to pay off his debt. Her boyfriend, Kok-liong, attempts to release her and plans to marry her but his mother disapproves and arranges for him to marry a wealthy girl, Hun-kiau. Years later, Tshui-giok and Kok-liong meet again; their feelings rekindled. However, Tshui-giok rejects Kok-liong for the sake of Hun-kuai. The decision drives him mad and eventually Hun-kuai sets Kok-liong free to be with Tshui-giok. A key film, at the pinnacle of Taiwanese-language family melodrama.

Tsi-Bing is living a wealthy and successful life. However, when he is manipulated by his mistress into believing that his wife is having an affair, he throws her out. When his mistress vanishes with all his money, Tsi-Bing is forced to relocate to a makeshift home with his three children, who are forced to take on various jobs, such as selling rice dumplings, to make ends meet. Will this unfortunate family be reunited one day?

Khue-Guan, a deliveryman living in a cheap apartment, dreams of making it big one day. He happens upon a teenage runaway, Tsing-Bi, and entices her to work in a nightclub to make money for him. Meanwhile, the nightclub hostess, Giok-Sian, pays for Khue-Guan’s company but keeps a no strings attached relationship. When Tsing-Bi becomes pregnant with Khue-Guan’s child, she asks him to marry her but is coldly rejected. Khue-Guan proposes to Giok-Sian only to be sneered at. In the choice between love and money, Khue-Guan must decide what he truly wants.

There are three children growing at Tammaru farm – one boy, Margus; and two orphan girls, Mari and Tiina. Tiina is lively and full of energy. Margus holds her very dear to him. Margus’s parents want him to marry Mari instead as she is more their kind. Hotblooded Tiina is completely different from them, and her mother was once executed for being a witch. Mari thinks that Tiina has bewitched Margus and cannot stand this, so she starts to publicly blame her stepsister for being a werewolf.

Anna, the daughter of an elderly owner of Kõrboja farm, is told by her father that if she won’t move into their home farm then it will be sold to strangers. But the farm also needs a master, and Anna has been living in town for years. She comes back home and meets again Villu, her friend from childhood. Villu is still as temperamental as he used to be, and Anna has always been a stubborn one. Now they have grown up. The more fellow villagers find the couple a strange one, the more they are attracted to each other.

16-year-old Mari, raised without a mother by a drunkard father, is put in an orphanage which she immediately, though unsuccessfully, tries to flee from. The sensitive Mari finds it hard to adapt to the coarse manners and brutal games amongst the children. Only gradually does she develop a sense for the similarly difficult fates of her fellow sufferers, who have long forgotten how to cry. She even falls in love for the first time, not with her self-appointed “protector” Tauri, but with the rough-mannered Robi. “Smile at Last” takes a critical realist approach to raising attention to the responsibility over the fate of vulnerable children and adolescents.

Recently freed from prison in Russia, Valentina heads back to Estonia on a quest to find her son Jüri, who she had given up for adoption years ago. With the conviction that their reunion will be a happy ending, Valentina searches high and low until she finds her son in Tartu, adopted by a wealthy family. Reconciliation turned out to be more challenging than she had expected.

Else, pour sauver son père qui croule sous les dettes, doit choisir d’accepter ou non de se mettre nue devant le vieux Dorsday, en échange d’une somme d’argent. Sous la pression, la jeune fille choisit un geste encore plus radical.

Note : Ce court-métrage est une libre adaptation du roman d’Arthur Schnitzler écrit en 1924, reprenant sa trame initiale mais sous une forme éclatée.

Germany 1939. Hans and Lene marry the day before the war breaks out, and Hans is sent to the Eastern front. During a bombing raid their daughter Anna is born. The house is destroyed and Lene and Anna moves in with relatives in Berlin. Hans survives the war but he is not the same person as in 1939, and he and Lene find it difficult to live together again.

Three women, a journalist, her French friend and a pop singer, deal with life, career, desire, sex and personal fantasies.

Berlin, 1974. Grischa and Heinrich are actors, accidentally locked in the rehearsal hall one night. He tries to seduce her; she's puts him off. Later she dumps her husband and sleeps with Heinrich, who ups the ante by suggesting they have a child. She takes him seriously by initiating a journalistic project interviewing working mothers, asking how they balance work and family, delving into their sexual histories. Heinrich sulks when she spends evenings on the project, he's childish. Should she leave him? The story plays out against the backdrop of left-wing political agitation.

Ce programme réunit 11 courts métrages réalisés par Alice Guy : La Fée aux choux, Comment monsieur prend son bain, Le Matelas épileptique, Les Résultats du féminisme, Madame a des envies, Une femme collante, Le Bonnet à poil, Une héroîne de 4 ans, La Naissance, la vie et la mort du Christ, Sur les barricades et Alice Guy tourne une photoscène.

Edda est photographe de presse en RFA, et mère célibataire. Elle peine à concilier vie professionnelle et personnelle, alors qu'une occasion se présente à elle. Avec ses collègues, Edda prépare une exposition de photos sur Berlin. Le jeune mère devra se démener pour obtenir des financements et lutter contre les attitudes élitistes du monde de l'art.

Erika and Franziska haven't seen each other for 4 years. 10 years earlier they both felt that they had the same chances in life: both were young, attractive and imaginative. They overlooked what would, right from the outset, separate them: their very different emotional make-up, their different character.

Angela and Robert have been married for 10 years and are still very much in love with each other. They give each other complete freedom and form a perfect couple. Their happiness is not disrupted when Robert brings his young friend Claudia home for the weekend.

The film is a tension-filled parable about the power of order, cruelty and submissive behaviour. A young man arrives at a falconers' plant for summer exercise. The plant stands in the middle of barren land, secluded from everything and managed by the fanatic Lilik, keeping rigorous discipline. Besides him and the falconers only Teréz lives there. The Boy learns the tasks at the plant and is captivated by the elementary force and beauty of the flight of the falcons. Yet he is more and more abhorred by the spiritual terror and the barbaric order used by Lilik to subdue his men. He endures the man-probing hunt but releases the captured falcon in the end. Teréz and the Boy are attracted to each other but she is unable to break out. After a mighty, devastating storm, the Boy packs his belongings and leaves. The others stay.

Seventeen-year-old Jóska is captured by the Soviet in the last days of World War II. He is posted to a soldier lad to help him guard the cowherd. Jóska tries to escape, Kolja keeps him from entering the mined area using his gun. Despite their opposed position and language barrier a friendly relationship is formed between them. They feast on the meat of the exploded cow together and chase girls when Kolja suddenly dies of a former injury. Jóska tries to get to the station dressed in his uniform. Some of the former POWs recognize him and thinking that he was a collaborate they beat him up thoroughly.

Heinrich George plays Henner who lives with his wife and child on a tugboat, going on the river to Berlin. There he meets the attractive Gescha (Betty Amann), and a story of love, betrayal and sadness ensues.

Germany 1939. Hans and Lene marry the day before the war breaks out, and Hans is sent to the Eastern front. During a bombing raid their daughter Anna is born. The house is destroyed and Lene and Anna moves in with relatives in Berlin. Hans survives the war but he is not the same person as in 1939, and he and Lene find it difficult to live together again.

Berlin, 1974. Grischa and Heinrich are actors, accidentally locked in the rehearsal hall one night. He tries to seduce her; she's puts him off. Later she dumps her husband and sleeps with Heinrich, who ups the ante by suggesting they have a child. She takes him seriously by initiating a journalistic project interviewing working mothers, asking how they balance work and family, delving into their sexual histories. Heinrich sulks when she spends evenings on the project, he's childish. Should she leave him? The story plays out against the backdrop of left-wing political agitation.

Three women, a journalist, her French friend and a pop singer, deal with life, career, desire, sex and personal fantasies.

A French-like burlesque about the adventures of a young boy in the first grade of elementary school. He gets acquainted with time, then, accompanied by his father, leaves home to spend his first day at school. On the way there, he meets Zizi, and they become friends. Mischief interests him more than learning to write, but he is not alone by this inclination. His imagination colours reality around him. He is cured from a major disease, makes adventures in social life, learns to know the adult world. He imagines his uncle, whom he does not love and whom he continuously escapes, to be set in prison. A baby is born in the family, and it is much bigger happiness than his excellent marks, only Zizi needs to be comforted because she failed in a subject. But there is no problem because he makes a promise to marry her. When he grows up.

"Our profession is photography" - sings and advertises Sebő, the herald of a group of travelling photographers, knocking at the doors of village houses. The photographer takes the photos as they have been ordered, the retoucher manages the business, and if people want a rosier picture than the harsh reality of their own faces is he is ready to retouch the photos. And most people choose this option: the photographer is vainly trying to persuade them to choose the true and more telling pictures. Yet, a rich material of the past gets revealed from behind the scenes of the locals' lives: while the retoucher is working on the pictures, the photographer is digging deep in the thirty-odd years old life stories and which "can as well be framed and put on the wall". An old lady, Mrs. Nyerges recalls the tragedy of her husband's murdered daughters, too. The picture taken of the murderous mother turns up as well.

Erika and Franziska haven't seen each other for 4 years. 10 years earlier they both felt that they had the same chances in life: both were young, attractive and imaginative. They overlooked what would, right from the outset, separate them: their very different emotional make-up, their different character.

Angela and Robert have been married for 10 years and are still very much in love with each other. They give each other complete freedom and form a perfect couple. Their happiness is not disrupted when Robert brings his young friend Claudia home for the weekend.

Edda est photographe de presse en RFA, et mère célibataire. Elle peine à concilier vie professionnelle et personnelle, alors qu'une occasion se présente à elle. Avec ses collègues, Edda prépare une exposition de photos sur Berlin. Le jeune mère devra se démener pour obtenir des financements et lutter contre les attitudes élitistes du monde de l'art.

The mystical love story between Chonen, a poor Talmud student, and Lea, a girl from a wealthy family, depicts the traditional folk culture of Polish Jews before WW2.

Antinea. the Queen of Atlantis, rules her secret kingdom hidden beneath the Sahara Desert. One day two lost explorers stumble into her kingdom, and soon realize that they haven't really been saved, Antinea has a habit of taking men as lovers, then when she's done with them, she kills them and keeps them mummified.

Faithfully reproduced observations of Breton fisherfolk in story of the man a local woman really loves who will not at first give himself to her because of his fondness for the sea that takes him away.

The adventures of a sailor (Lennard) from Mexico to a lagoon in the Pacific ocean, and the meeting with a lonely girl (Lilian White).

The captain of a barge takes his new bride along the canal routes. But, falling for a younger crew man, she tries to escape.

A few days before returning to Morocco, Ali, a retired man, spends his final moments between the shelter where he lives and the apartment of his friend Momo, who lives with his daughter.

Two cyclists share a moment of accidental happiness, orchestrated by a Cupid who’s still a bit inexperienced.

How do you manage to exist when you're fifteen, can barely see, still take photos, and the one you manage to secretly touch, but who still slips away, is named Marie-Luce?

Michel, a farmer in Franche-Comté, takes advantage of the quiet winter season to spend time with his apprentice Francis. A strong friendship will grow between them.

With Juliet in Paris, Claude Miller makes an excellent debut: a vampire story told with great visual flair and subtle humor. (Marcel Martin. Cinéma 68).