Name: France/tour/detour/deux/enfants - part one
Director: Anne-Marie Miéville & Jean-Luc Godard
Released: 1977
Duration: 1 h 18 min
Cast: Camille Virolleaud, Arnaud Martin, Betty Berr, Albert Dray, Evane Hanska

Camille Virolleaud

Arnaud Martin

Betty Berr

Albert Dray

Evane Hanska

Godard (Blues)

Cinéma Cinémas

Jean-Luc Godard en 9 minutes

Blow up - ARTE

Les Génériques de Jean-Luc Godard

Jean-Luc Godard par Thierry Jousse

Quand le cinéma cite Godard

Top 5 musical Jean-Luc Godard

Cinéma Cinémas 06/02/1985 : Godard (Blues)

Blow up - ARTE : Jean-Luc Godard en 9 minutes

Jean-Luc Godard interviews two children, Camille and Arnaud, about their daily life, their relationships with others and their education. The serie tries to answer the questions: how to communicate with children? How to go deeper in their mistery?&nbsp;

&nbsp;

France/tour/detour/deux/enfants - part one

Français

VF - SD

VF - HD

France/tour/detour/deux/enfants - part two

France/tour/detour/deux/enfants - part three

France/Tour/Détour/Deux/Enfants - part four

Freebox - VF - SD

Michel Piccoli

Isabelle Huppert

Jerzy Radziwilowicz

László Szabó

Hanna Schygulla

Hommage an Jean-Luc Godard

Piccoli Trois heures du mat...

C’est quoi Isabelle Huppert ?

Blow up – ARTE

Cinéma Cinémas 18/11/1986 : Piccoli Trois heures du mat...

Blow up - ARTE : C’est quoi Isabelle Huppert ?

In a provincial factory, a war of attrition takes place between the manager and a female worker who wants to set up a union group. At the local hotel, a similar confrontation opposes the local population and a film crew.

Nouvelle Vague

Passion

french - SME

Freebox - VF - HD

Jacques Dutronc

Roland Amstutz

Fred Personne

Anna Baldaccini

Cécile Tanner

Nathalie Baye

JLG / GY : Entretien avec Gabriel Yared (compositeur)

4 entretiens JLG

JLG / IH : Entretien avec Isabelle Huppert

JLG / NB : Entretien avec Nathalie Baye

JLG / RB : Entretien avec Renato Berta (directeur photo)

Pascale Ferran

Jacques Dutronc, à part ça... la nuit, je m'ennuie...

Portrait d'Isabelle Huppert en trois films

Ciné regards

C'est quoi Isabelle Huppert ?

Isabelle Huppert en musiques

Cinéma Cinémas 14/04/1982: Jacques Dutronc, à part ça... la nuit, je m'ennuie...

Ciné regards 14/03/1981 : Portrait d'Isabelle Huppert en trois films

Denise Rimbaud leaves her husband, her job and her city to go live in the country. Paul Godard, a TV producer, is afraid of leaving the city and afraid of solitude since Denise has left. Isabelle has left the country to become a prostitute in town. The imaginary world, fear and commerce in each character&#x27;s life are the three movements of a film ending with a musical movement.

Every Man for Himself

Deutsch

Jean Bouise

Lydia Andrei

Laurence Côte

Jean-Michel Iribarren

Luc Moullet

Pierrot le fou en 8 minutes

Godard blends elements of literature, cinema and other artistic medias from different historical periods in order to make a stance on how words can be subverted and manipulated to many different contexts, sometimes bearing a similar significance to the original material or even creating an alternate context. That&#x27;s &quot;The Power of Speech&quot;.

The Power of Speech

Louisa Colpeyn

Georges Staquet

Michel Delahaye

Chantal Darget

Danièle Girard

Claude Brasseur

Sami Frey

Anna Karina

Jean-Luc Godard

Lang / Godard 1965

C'est quoi Anna Karina ?

Cinéma Cinémas 07/11/1984: Lang / Godard 1965 (Remontage de l'émission Cinéastes de notre temps 15/03/1967: Le dinosaure et le bébé)

Blow Up - ARTE : C'est quoi Anna Karina ?

Odile tells her friends, Frantz and Arthur, how her uncle cheating the tax authorities hid an important amount of money. Frantz and Arthur decide to steal it. But things backfire and they only end up with a small amount. Arthur is killed, the uncle takes back his money while Frantz leaves with Odile for South America.

Band of Outsiders

Alain Delon

Christophe Odent

Domiziana Giordano

Jacques Dacqmine

Laurence Guerre

Laure Killing

Brigitte Marvine

Joseph Lisbona

Violaine Barret

Composed entirely by literary quotations from many different sources and from several historical periods, Godard&#x27;s film works as an allegory on film. The loose narrative tells about a drifter found by a rich woman who soon falls in love with him. A drowning accident takes place and the drifter dies but some time later, he reappears in the woman&#x27;s life looking for a job. Or could it be the man&#x27;s twin brother?&nbsp;

New Wave

Raymond Devos

Dirk Sanders

Graziella Galvani

Aïcha Abidir

Samuel Fuller

Jean-Paul Belmondo

Worum geht's bei Anna Karina ?

Worum geht's bei Jean-Paul Belmondo ?

Alain Bergala à propos de Pierrot le fou

Les Yeux dits

Belmondo dans le vent

JT 20h

Festival de Venise : Jean-Luc Godard

C'est quoi Jean-Paul Belmondo ?

Cinéma Cinémas 07/11/1984: Lang / Godard 1965 (Remontage de l'émission Cinéastes de notre temps 15/03/1967: Le Dinosaure et le bébé)

JT 20h 18/06/1965 : Belmondo dans le vent

	JT 20h 02/09/1965 : Festival de Venise Jean-Luc Godard

BLOW UP - Arte : C'est quoi Jean-Paul Belmondo ?

Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.

Pierrot le Fou

OV + STFR - HD

Brigitte Bardot

Jack Palance

Giorgia Moll

Linda Veras

Fritz Lang

Il était une fois... Le Mépris

Un film & son époque

Jean-Luc Godard aus der Sicht von Thierry Jousse

Die Filme von Michel Piccoli

Brigitte Bardot von Thierry Jousse

Alain Bergala à propos de Le Mépris

Piccoli Trois heures du matin

C'est quoi Michel Piccoli ?

Brigitte Bardot par Thierry Jousse

Alain Bergala à propos de "Le Mépris"

Cinéma Cinémas 18/11/1986 : Piccoli Trois heures du matin

Blow Up - ARTE : C'était quoi Michel Piccoli ?

Screenwriter Paul Javal&#x27;s marriage to his wife Camille disintegrates during movie production as she spends time with the producer. Layered conflicts between art and business ensue.

Contempt

 Le Mépris

Freebox - VOST - HD

Freebox - VOST - SD

Roger Hanin

Daniel Boulanger

Jean Seberg

Henri-Jacques Huet

 Van Doude

Michel Fabre

Jean-Pierre Melville

Michel Hazanavicius

Remise du prix Jean Vigo à Jean-Luc Godard pour "À bout de souffle"

JT de Nuit

Martial Solal et la musique de "A bout de souffle"

Discorama

Journal Télévisé de nuit 26/01/1960 : Remise du prix Jean Vigo à Jean-Luc Godard pour À bout de souffle

Discorama 25/03/1960 : Martial Solal à propos de la musique du film

A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he reunites with a hip American journalism student and attempts to persuade her to run away with him to Italy.

Breathless

Myriem Roussel

Thierry Rode

Philippe Lacoste

Juliette Binoche

Johan Leysen

Anne Gautier

Malachi Jara Kohan

Marie, the daughter of a garage owner, is with child yet still a virgin. Her genuine sincerity finally overcomes Joseph&#x27;s jealousy. A few fleeting glimpses of the young woman&#x27;s bare body are his sole consolation. After venting her rebellious anger against God, Marie agrees to bear the holy infant and gives birth to Jesus, a rather boisterous child. A cinematographic poem of overpowering beauty.

Hail Mary + Mary's book

Jean-Pierre Léaud

Antoine Bourseiller

Marlène Jobert

Françoise Hardy

Chantal Goya

Catherine Duport

Eva-Britt Strandberg

Michel Debord

C'est quoi Jean-Pierre Léaud ?

Blow Up - ARTE : C'est quoi Jean-Pierre Léaud ?

From Godard&rsquo;s most prolifically provocative period, this witty examination of &laquo;the children of Marx and Coca Cola&raquo; is framed as a series of episodic snapshots of a new generation mired in their own contradictory responses to sex, politics and pop and how to prioritize them. Soldiers, sloganeers and singers alike &laquo;can&rsquo;t get no satisfaction&raquo;.

Masculin feminin

Jean-Luc Godard does not propose a chronological history of cinema but rather a double exploration, a journey through the Twentieth Century history, in the country of images and an exploration of the creation of Godard himself, a self-portrait of the director. This is the story of the emotions created by cinema and the story of the loneliness of the creator. With excerpts of famous movies, Godard shows how cinema must struggle against photography, TV and literature to reproduce the real. Stories always unfinished and yet passionate for, as Godard says, &quot;we must burn films, burn them with inner fire&quot;.

Histoire(s) du cinéma : chapitre 1

Sabine Azéma

Serge Daney

Julie Delpy

Les Génériques de Jean-Luc Godard 

Jean-Luc Godard does not propose a chronological history of cinema but rather a double exploration, a journey through the Twentieth Century history, in the country of images and an exploration of the creation of Godard himself, a selfportrait of the director. This is the story of the emotions created by cinema and the story of the loneliness of the creator. With excerpts of famous movies, Godard shows how cinema must struggle against photography, TV and literature to reproduce the real. Stories always unfinished and yet passionate for, as Godard says, &quot;we must burn films, burn them with inner fire&quot;.

Histoire(s) du cinéma : chapitre 2

Histoire(s) du cinéma : chapitre 3

Histoire(s) du cinéma : chapitre 4

Marino Masé

Albert Juross

Geneviève Galéa

Catherine Ribeiro

Jean-Louis Comolli	

Gérard Poirot

Jean Brassat

Alvaro Gheri

Roger Coggio

Barbet Schroeder

Jean Gruault

During a war in an imaginary country, unscrupulous soldiers recruit poor farmers with promises of an easy and happy life. Two of these farmers write to their wives about their exploits.

The Carabineers

Mick Jagger

Marianne Faithfull

Godard&#x27;s documentation of late 1960s Western counter-culture, examining the Black Panthers, referring to works by LeRoi Jones and Eldridge Cleaver. Other notable subjects are the role of news media, the mediated image, a growing technocratic society, women&#x27;s liberation, the May revolt in France and the power of language. Cutting between three major scenes, including the Rolling Stones in the studio, the film is visually intercut with Eve Democracy (Wiazemsky) using graffiti which amalgamates organisations, corporations and ideologies. Godard also examines the role of the revolutionary within Western culture. Although he believes Western culture needs to be destroyed, it can only be done so by the rejection of intellectualisation. &quot;There is only one way to be an intellectual revolutionary, and that is to give up being an intellectual&quot;

One + One

France/tour/detour/deux/enfants - part one

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