Arnaud Desplechin

Biography

Filmography

French director, born in Roubaix in 1960.

After studying at the University of Paris III, Arnaud Desplechin attended the IDHEC in 1980. He then worked as a director of photography, notably on short films by Eric Rochant. In 1991, he made a sensational entrance onto the French film scene by directing, several months apart, La Vie des Morts (Prix Jean Vigo 1991) and The Sentinel, in competition at Cannes in 1992. He then made My Sex Life... or How I Got into an Argument and Esther Kahn, his first film in English. He received the Prix Louis Delluc in 2004 for Kings and Queen, a huge success with critics and audiences alike. In 2012, he directed his first film in the United States, Jimmy P: Psychotherapy of a Plains Indian, based on the book by ethno-psychoanalyst Georges Devereux. His most recent film, My Golden Days, presented in Cannes at the Directors’ Fortnight earned him the César for Best Director in 2016.

La Vie des morts (1991) – The Sentinel (1992) – My sex life... or how I got into an argument (1996) – Esther Kahn (2000) – Playing 'in the company of men (2003) – Kings and Queen (2004) – The Beloved (2007) – A Christmas Tale (2008) – Jimmy P. (Psychotherapy of a Plains Indian) (2013) – My Golden days (2015) - Ismael's Ghost (2017)

The director's list
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1h32min
Also recommended by Robert Guédiguian
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1h20min
Also recommended by Jacques Audiard
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1h41min
Also recommended by Yann Gonzalez
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1h57min
Also recommended by Robin Campillo, Christoph Hochhäusler
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3h3min
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1h35min
Also recommended by Raymond Depardon, José Luis Guerín
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1h15min
Also recommended by Jean-Pierre Dardenne, Miguel Gomes, Robert Guédiguian, Mahamat-Saleh Haroun
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1h39min
Also recommended by Miguel Gomes, Noémie Lvovsky, Bruno Podalydès, Ira Sachs, Jerry Schatzberg
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1h34min
Also recommended by Jean-Pierre Dardenne, Noémie Lvovsky
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2h4min
Also recommended by Robin Campillo, Jean-Pierre Dardenne, Luc Dardenne, Jacques Doillon
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1h35min
Also recommended by Maren Ade
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1h31min
Also recommended by Jacques Audiard
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2h29min
Also recommended by Luc Dardenne, Noémie Lvovsky, Agnès Varda
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1h57min
Also recommended by Luc Dardenne, Noémie Lvovsky, Agnès Varda
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2h22min
Also recommended by Luc Dardenne, Noémie Lvovsky, Agnès Varda
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2h22min
Also recommended by Luc Dardenne, Noémie Lvovsky, Agnès Varda
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1h50min
Also recommended by Nabil Ayouch
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1h31min
Also recommended by Robin Campillo, Noémie Lvovsky, Pierre Salvadori
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1h19min
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2h
Also recommended by João Pedro Rodrigues
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1h23min
Also recommended by Catherine Corsini, Christoph Hochhäusler, Agnès Jaoui, Pierre Salvadori, Bertrand Tavernier, François Truffaut
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3h20min
Also recommended by Jerry Schatzberg
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1h52min
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1h23min
Also recommended by Michel Hazanavicius, Bruno Podalydès
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1h45min
Also recommended by Todd Haynes, François Truffaut
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1h43min
Also recommended by Laurent Cantet, Christoph Hochhäusler, Agnès Jaoui, Hirokazu Kore-eda, Christian Petzold, Pierre Salvadori
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2h1min
Also recommended by Christophe Gans, Alain Guiraudie, Pierre Salvadori, Wim Wenders
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2h18min
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1h4min
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2h6min
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5h30min
Also recommended by Cédric Klapisch, Nadav Lapid, Claude Lelouch, François Truffaut, Wim Wenders
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1h40min
Also recommended by Christoph Hochhäusler
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1h37min
Also recommended by Christophe Gans, James Gray, José Luis Guerín, Patricia Mazuy, Christian Petzold
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2h9min
Also recommended by Costa Gavras, Bong Joon-ho, Bertrand Tavernier
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1h19min
Also recommended by Aki Kaurismäki
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1h6min
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2h1min
Also recommended by Luc Moullet
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1h59min
Also recommended by Olivier Assayas, José Luis Guerín, João Pedro Rodrigues
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1h32min
Also recommended by Jacques Doillon, James Gray, José Luis Guerín
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1h55min
Also recommended by Jacques Audiard
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0h50min
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1h20min
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1h45min
Also recommended by Jacques Audiard, James Gray, François Truffaut
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1h24min
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1h50min
Also recommended by José Luis Guerín
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2h7min
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Extra
The director on The River

This is the first color film of Renoir. This is the movie of a painter.

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The director on The Awful Truth

Irene Dunne's laugh is just as valuable to me as the art of Leo McCarey.

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The director on The Wrong man

This movie is between truth and lies. Expressionism of Robert Burks lights, truth of NY natural settings.

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The director on Ninotchka

The "Lubitsch touch" is an art that hails from mute film where visual gags tell the whole story.

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The director on The Philadelphia Story

Hollywood and US invent a new type of dramatic feature films with the remarriage comedy.

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